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Washington and Baltimore Art Deco

Hardback
, 256 pages

68 halftones

ISBN:
9781421411620
March 2014
$49.95

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Washington and Baltimore Art Deco

A Design History of Neighboring Cities

Table of Contents

Preface

The bold lines and decorative details of Art Deco have stood the test of time since one of its first appearances in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. Reflecting the confidence of modern mentality—streamlined, chrome, and glossy black—along with simple elegance, sharp lines, and cosmopolitan aspirations, Art Deco carried surprises, juxtaposing designs growing out of speed (racecars and airplanes) with ancient Egyptian and Mexican details, visual references to Russian ballet, and allusions to Asian art.

While most often associated with such masterworks as New York’s Chrysler Building, Art Deco is evident in the architecture of many U.S. cities, including Washington and Baltimore. By updating the findings of two regional studies from the 1980s with new research, Richard Striner and Melissa Blair explore the most significant Art Deco buildings still standing and mourn those that have been lost.

This comparative study illuminates contrasts between the white-collar New Deal capital and the blue-collar industrial port city, while noting such striking commonalities as the regional patterns of Baltimore’s John Jacob Zinc, who designed Art Deco cinemas in both cities.

Uneven preservation efforts have allowed significant losses, but surviving examples of Art Deco architecture include the Bank of America building in Baltimore (now better known as 10 Light Street) and the Uptown Theater on Connecticut Avenue NW in Washington. Although possibly less glamorous or flamboyant than exemplars in New York or Miami, the authors find these structures—along with apartment houses and government buildings—typical of the Deco architecture found throughout the United States and well worth preserving.

Demonstrating how an international design movement found its way into ordinary places, this study will appeal to architectural historians, as well as regional residents interested in developing a greater appreciation of Art Deco architecture in the mid-Atlantic region.

Richard Striner is a professor of history at Washington College and is the author, co-author, or editor of ten books. Melissa Blair is an architectural historian in Maryland.

"Striner is one of the most knowledgeable individuals about Art Deco in Washington, D.C.—this is an important book."

"A thorough overview of the regional development of art deco architecture in the greater Washington, D.C., and Baltimore, Maryland, mertopolitan area... The two cities' economies and cultural histories serve as an interesting background to showcase how the emerging modern architecture movement of the twentieth century could unite both cities, despite their differences... The strengths of Striner, founding president of the Art Deco Society of Washington, and Melissa Blair, a Baltimore art historian, are evident in their comprehensive review and analysis of the entire genre of built works in the Chesapeake and Potomac area."

"Overall the authors have taken a compelling topic and treated it in an outstanding manner... Most libraries will want to purchase this volume as it is a fascinating tale of two cities and how modern architecture shaped their future."

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